Films of 2017 (… far)


Not quite the mid-point of the year but it’s always good to follow this particular trend.  Below we list the five films that have impressed us most. What films have we missed? Let us know in the comments section below.

5. The Graduation. Dir: Cristian Mungiu

A strong start to the list from a director whose consistency in excellence continues to shine with this taut moral drama. It doesn’t quite reach the compelling intensity of 4 Months, 3 Weeks and 2 Days or Beyond The Hills but is still filmmaking of the highest order. Genuinely riveting and genuinely brilliant.

4. The Handmaiden. Dir: Park Chan-wook

A very dark, disturbing erotic thriller with a complex story told with remarkable expertise and skill. Told in three parts with each one offering a different perspective on the mechanics of the plot, it’s an examination of humanity’s obsession with sex from the dark and vulgar to it becoming an exploration of love and passion. It is a film in which you cannot reveal too much of the plot much beyond its basic set-up in which a handmaiden goes to work for a rich lady in order to pull of an elaborate and long-winded con on her. What happens beyond that is mysterious, intriguing and never predictable – this is, after all, the director of Oldboy at the helm.  Measured, skilled film-making that expunges just about every human feeling and emotion – a staggering piece of work.

3. Jackie. Dir: Pablo Larrain

Pablo Larrain makes his much welcome English Language debut with this tale of American’s most famous first lady and manages to bring his own unique style to proceedings. As with many biopics these days, it focuses on one moment of a famed individuals life to expunge the themes and provide an insight to the character (see also – Steve Jobs, Invictus). In this case, the film is structured around a newspaper interview with Jackie Kennedy following her husbands death, with flashbacks to the event itself and those just before and afterwards. To that end, a portrait of Jackie is created as a person who portrayed an image that at times juxtaposed that which was maybe going on beneath the surface. There is an element of body vs soul going on here, and it is brilliantly captured by Portman’s staggering performance. The stress and trauma is hidden beneath the surface but she still manages to portray it with a glance or a brief facial expression – it’s acting that, ironically, goes beyond that which she is showing on the surface. Yet there is more to the film than just Jackie. The score is memorable and at 95 minutes, it never outstays its welcome. A brilliant film by a special talent.

2a. Dunkirk. Dir: Christopher Nolan

What we have here is a lot of very talented people working together at the top of their game to create something quite special. Set in what feels like real time, Nolan manages to make a film about an evacuation of 350,000 men during a war feel focused, coherent, engaging and utterly, utterly gripping. It just might be the tensest film you’ll see. The photography is quite sensational, the editing done to a tee, the ensemble cast faultless and then there is the score. The haunting, silent opening shot soon gives way to gunfire, dogfights, boats, explosions and much more besides and Hans Zimmer’s music weaves almost seamlessly into the narrative, adding to the real feeling of what Dunkirk must have been like.

2b. Moonlight. Dir: Barry Jenkins

This is a deftly subtle character study, a coming of age drama with issues of sexuality, race and class that are relevant but never dominate. It is brilliantly performed by the three leads, each showing Blue at a different stage in his life. From ‘Little’, the scared and unsure youngster to the teenager trying to find his way and culminating with him as a hulk of a man whose physical appearance juxtaposes his internal struggles, shyness and confusion. Internally, he is still the same scared and unsure individual we met at the start. There are some scenes of sex and some of violence but it is measured, it feeds into the story and subsequently, this feels real. It’s a far cry from melodrama, a poetic and moving film that managed to win over audiences who were more willing than usual to give it a chance. It was compelling despite the lack of much action or even plot development, but then that is the point – this is about the characters, and it’s all the better for it.

1. The Salesman. Dir: Asghar Farhadi

The one and only Asghar Farhadi returns and manages to further his reputation as one of the most interesting directors currently working. The opening shot is a remarkable set-up to proceedings as we see a building shaking from the inside. It’s not clear why or what is causing it, but the unbroken shot gives you the real sense of dread before we see the root cause of the danger which is a sly commentary on authorities in Iran. This sets up the film and its themes as husband and wife Emed and Rana are forced to find somewhere else to live. While the play Death of a Salesman plays out (with the couple in the lead roles), a violent attack, linked to their new homes previous incumbent has ramifications for the couple. Farhadi creates a great sense of tension and mystery from the set-up and while we, and Emed try to decipher what actually happened, the themes come to the fore.

It’s flawless. From the acting to the scriptwriting to the pace to the direction. The ideas, the themes, the grittiness and the honesty all flow naturally but yet the events of the film are quite theatrical. This takes some doing to make it work but Farhadi, of course, can do this because he is a phenomenal filmmaker.

The sexism of society which lends an eye to the notion of the female victim being partially responsible, the lack of faith in the authorities results in them being kept out of the loop – ideas Farhadi always explores and keeps you thinking about for days afterwards. Brilliantly, he doesn’t dwell on them or labour the point – they simply exist as part of the societal norm. This is a far cry from melodrama. It might nudge 2 hours, but it’s measured, thought out and brilliant film-making, wonderfully acted and smartly written. Tension is extracted from the characters and the mystery in the central conceit and you just have to sit an applaud a true artist at the top of his game.

Victor, Episode 1!

Series premiere of mystery web series ‘Victor’, created by David Woods.

A ruthless businesswoman and a grieving single mother are drawn into a dark game of vengeance by a shady organisation, known only as ‘Victor’. But who or what is Victor? And what are the group’s ultimate motivations?

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Desert Island Flicks – Episode 4: Chris Olson from UK Film Review

UK Film Review LogoOur latest castaway is Chris Olson from London based film review website UK Film Review

From the latest blockbusters, to small indie cinema, UK Film Review tackle as many films as possible.

UKFR promote not just films but also movie trailers from around the world. They also help support indie films that are using kickstarter to raise money.

Film 1 – The film you’ve seen more than any other

You’ve watched it countless times, but it never tires and you could watch it many more times and it will still have an effect.

CO: Funnily enough, it would be a musical! And I say that as someone who rarely indulges in that genre voluntarily. But it is also an animated, very adult, comedy: South Park: Bigger, Longer and Uncut. I’ve seen this movie so many times, growing up and as an adult, and it still makes me cry with laughter. The jokes are great, the characters are brilliant, the songs are incredibly catchy, and I dare anyone not to laugh at Saddam Hussein in bed with the Devil!

South Park

Film 2 – The Classic you’ve never seen
We all have classics we’ve meant to watch but haven’t…yet. Which one would be top of your catch up list. Why haven’t you seen it? What would make you put it on?

CO: At uni, I used to make a list of the “50 Films Everyone Says I Should Watch” – and then make my way through them. These were chock-filled with so-called “classics”, and when you’re a film critic if you ever tell someone you haven’t seen a certain film they like, their instant reaction is utter astonishment and outrage. The film that keeps doing this for me is The Sound of Music. I just can’t bring myself to sit down and watch it. I think if I was on a deserted island, someone had just deflated my best friend, and I overcooked my lizard dinner, then perhaps it would be time to indulge.

Film 3 – The film that will definitely give you a lift
It can be sad and depressing when you’re all alone. Which film would you put on that is guaranteed to lift your spirits

CO: Spaceballs. I have seen this countless times and constantly quote the lines to my brother over text. For me, Spaceballs is better than Star Wars. There it is, I said it.


Film 4 – The so-called masterpiece that deserves a re-visit
Sometimes everyone seems to love a film but it doesn’t work for you. Maybe being on an island will enable you to try and see what everyone else was seeing

CO: With a reboot due soon, it seems fitting that I reveal a lukewarm enjoyment for Blade Runner. I feel like I need to see this film in complete isolation with every comment about it wiped from my memory though! Perhaps the desert island will treat me to a coconut to the head which will erase the hyperbolic praise I have heard over the years.

Film 5 – The film you wished you’d made
Either as writer, director, actor, editor, D.P. or in any other role, which film do you wish you’d had a hand in and what role do you wish you’d played?

CO: As a writer, I wish I could have written the dialogue for Glengarry Glen Ross. That film is a masterpiece, and to then see that stellar cast bring it to life would have been orgasmic. “Always…Be…Closing”…getting chills thinking about it.


Film 6 – The film that had the biggest effect on you
Which film influenced your life, either personally or professionally, the most?

CO: Most likely Fight Club. My dad let me watch this when I was probably a couple of years too young, but he knew I would love it. After that I chased any film by David Fincher. I also tried to start a little fight club with my friends, which resulted in four very unfit lads huffing and puffing in a park having managed to hurt absolutely no one.

Films 7 & 8 – Wild Cards
Pick any other two films that you’d take along and tell us why

CO: The Prestige by Christopher Nolan. I would have to take one of that man’s films and I feel that this is one of his most underappreciated.

Then it would be Rope, the Hitchcock movie. I think this is excellent filmmaking and it stands up better than some of his other movies.


The rogue disc – The film you wished you’d never seen

Even bad films can teach us in some way but there are some that seem to be without any merit at all and you wish, like Jim Carrey in Eternal Sunshine of the Spotless Mind, you could erase them from your memory. Which film, if it somehow made its way onto your desert island, would you gladly throw out to sea?

Eraserhead. David Lynch is an auteur but not one I enjoy. Blue Velvet is okay and Mulholland Drive is good, but this is something I will never endure again! Ironically the time I saw it was at a BFI screening, and the guy in front of me had brought a date. On the way out it became apparent that he was a cineast, lauding Lynch’s filmmaking prowess to his obviously unimpressed partner. After he was finished she simply said, “I’d like to go home now”…my thoughts exactly.

Chris Olson is the editor and founder of You can find him on Twitter @UKFilmReview and follow the site itself @UKFReview

Desert Island Flicks – Episode 3: Mike from Midland Movies

midlands movies

Based on the popular Radio Two show, this takes into account film lovers and what they’d need if they ever ended up on an island with only a Beach Ball for company, an ice skate for a tool and an un-opened package they need to deliver.

What eight films would you simply have to play on your waterproof, solar powered blu-ray device?

This week Mike from Midlands Movies shares his Desert Island Flicks.


The film you’ve seen more than any other

back to the future

Great question! At a guess it’s probably Ghostbusters or Weird Science as a friend and I watched them almost daily back in the 80s/90s. I can also add in Back to the Future 2 – which is a film I can quote more than any other – and more recently it’s been The Force Awakens which I saw 5-6 times on the big screen. I have to add that none of these are my favourite films of all time – more probably just fluke the amount they’ve repeated in my life.


The Classic you’ve never seen

I can answer this one very quickly – The Lion King. As I was 14 years old on its release, it wasn’t something I was massively interested in – along with a lot of the 90s Disney films in fact. Over time I’ve sadly never caught up with it.

lion king


The film that will definitely give you a lift


I think I go straight for comedy and one of my favourites is This Is Spinal Tap. As a musician who’s done a bit of touring, it’s so spot on – even after all these years – that it makes me laugh and remind me of my own good times with my band mates ‘on the road’. Whilst I think of it, Cameron Crowe’s Almost Famous can be added here too.


The so-called masterpiece that deserves a re-visit

I’ve got quite a few of these but will opt for a very controversial opinion. I’m the biggest sci-fi fan of all time yet I’ve never been huge admirer of Blade Runner. I watch it about once every 2-3 years though and with the sequel out this year I definitely need to give it a re-watch – hopefully on the big screen somewhere.

blade runner


The film you wished you’d made

For entirely selfish (and quite un-cinematic) reasons I’m going to choose Ocean’s Eleven (Soderbergh’s remake) and be an actor on set. A great group of respected actors (and Scott Caan, lol) hanging around in Las Vegas whilst playing pranks, talking film, giving OTT performance as well as getting to work with a great director seems a pretty fun experience.


The film that had the biggest effect on you

I think Eternal Sunshine of the Spotless Mind resonated with me greatly, not just for echoing a relationship I was in at the time but it showed that film can still be magical, innovative and original. The idea of past relationships and things like memories that you always take with you – a bit like a desert island if you will – is intrinsic to all of us and shapes who we are. Plus it’s funny, clever and has two great performances from actors playing against type.


FILMS  7 & 8

Wild Cards

As I’ve not picked any of my regular favourites yet I would reserve a place for Terminator 2: Judgment Day and JFK. T2 was one of the first really exceptional films I saw and realised I didn’t just like fun movies but movies with great stories and deeper meanings (well, as deep as a 12 year old can fathom at that time). JFK has so many layers and techniques that Stone has created a really remarkable cinematic movie by taking hundreds of story strands to piece together those days in Dallas and the subsequent trial.

terminator 2


The film you wished you’d never seen

I’m going to stick with the theme I’ve been talking about in all my answers and recollect my distant past when I first came to the realisation that not every summer blockbuster was good. Batman and Robin was hired from my local video shop, stopped halfway through and returned the same day. Didn’t even rewind it for them! I became a man that day. LOL.


Thanks to Mike from Midlands Movies for taking part. Check them out at

Fancy sharing your Desert Island Flicks? Leave us a comment below showing your interest and we'll be in touch!

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